| EXHIBITIONS 1980 First group exhb., Academy of Fine Arts, Calcutta. 
                          1981 Group exhb., Lalit Kala Akademi, New Delhi. 1983 
                          Group exhb., Academy of Fine Arts, Calcutta. 1984, 85, 
                          88, 89, 90, 91, 96 Solo exhb., Academy of Fine Arts, 
                          Calcutta. 1986 Solo exhb., Jehangir Art Gallery, Bombay. 
                          1987 All India Youth Art Exhb., Birla Academy of Art 
                          and Culture, Calcutta. 1988 Young Faces in Contemporary 
                          Indian Art, organised by Lalit Kala Akademi, Regional 
                          Centre, Calcutta. 1988 Group exhb., Galerie 88, Calcutta. 
                          1990 Solo exhb., Galerie 88, Calcutta. 1991 Solo exhb., 
                          Jehangir Art Gallery, Bombay. 1991 Bengal Art Today 
                          organised by Galerie 88, Jehangir Art Gallery, Bombay. 
                          1992 Contemporary Bengal Art, Madras. 1992 The Voyage, 
                          Gallery Om, New Delhi. 1993 Group exhb. in Singapore. 
                          1993 Solo exhb., Apparao Gallery, Madras. 1994 Solo 
                          exhb., Chitrakoot Art Gallery, Calcutta. 1995 Group 
                          Exhb. in Calcutta and New Delhi. 1996 Exhb. in Paris. 
                          1997 Sculpture show, Academy of Fine A  COLLECTION National Gallery of Modern Art, New Delhi. Art Museum, 
                          Hyderabad and Bangalore. Academy of Fine Arts, Kolkata. 
                          Birla Academy of Art and Culture, Kolkata. Lalit Kala 
                          Akademi, New Delhi. Delhi Art Gallery, New Delhi. STYLE  Samir Aich is a tireless experimenter and has been 
                          busy accomplishing apparently impossible things. He 
                          has sought to `figurate` abstract concepts such as the 
                          primordial force of Nature, or its earthly counterpart, 
                          the animal spirit. Earlier on, his work depicted these 
                          concepts in the shape of a variety of awe - inspiring 
                          imagery. Such depictions of elemental mass and energy 
                          provided the viewer an initial cue to the inner world 
                          of this indefatigable painter, he soon shifted his plane 
                          of visual expression by endeavoring to accomplish another 
                          near impossibility, namely articulating in terms of 
                          the black pigment covering virtually the whole of the 
                          canvas space. One finds an echo of what the great Turner 
                          had tried to do when he wanted to picturise the night 
                          itself...  
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